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Vionnet Back Tie, New York, 1974

platinum-palladium print mounted on aluminum, ed. of 15

image: 15 1/2 x 15 1/2 in. (39.4 x 39.4 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

framed: 28 7/8 x 28 3/8 in. (73.3 x 72.1 cm)

Vionnet Back Tie, New York, 1974

platinum-palladium print mounted on aluminum, ed. of 15

image: 15 1/2 x 15 1/2 in. (39.4 x 39.4 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

framed: 28 7/8 x 28 3/8 in. (73.3 x 72.1 cm)

Inquire
Black and white photographic double portrait of father and son with eggs.

Father and Son with Eggs, Cuzco, 1978

BF paper on aluminum, platinum-palladium, edition of 14
image: 11 3/4 x 11 1/4 in. / 29.8 x 28.6 cm
mount: 22 1/4 x 14 1/4 in. / 56.5 x 36.2 cm

verso: r​signed, stamped, inscribed 

Inquire
Vionnet Hipline Dress, New York, 1974, 1978

platinum-palladium print mounted on aluminum, ed. of 8

image: 16 x 15 3/4 in. (40.6 x 40 cm)

mount: 25 x 20 in. (63.5 x 50.8 cm)

framed: 26 3/8 x 25 3/4 in. (67 x 65.4 cm)

 

signed, stamped, inscribed

Vionnet Hipline Dress, New York, 1974, 1978

platinum-palladium print mounted on aluminum, ed. of 8

image: 16 x 15 3/4 in. (40.6 x 40 cm)

mount: 25 x 20 in. (63.5 x 50.8 cm)

framed: 26 3/8 x 25 3/4 in. (67 x 65.4 cm)

 

signed, stamped, inscribed

Inquire
Black and white photographic portrait of the back of a woman's ornate dress.

Callot Swallowtail dress, 1977
Rives paper on aluminum, platinum-palladium, edition of 19
image: 20 3/8 x 18 in. / 51.8 x 45.7 cm
mount: 26 x 22 in. / 66 x 55.9 cm

verso: signed, stamped, inscribed 

Inquire
Chanel Sequined Suit, 1974

platinum-palladium print mounted on aluminum, ed. of 29

image: 20 1/2 x 18 3/4 in. (52.1 x 47.6 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

Chanel Sequined Suit, 1974

platinum-palladium print mounted on aluminum, ed. of 29

image: 20 1/2 x 18 3/4 in. (52.1 x 47.6 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

Inquire
Black and white photographic portrait of a child holding a lamb.

Child with lamb (Morocco), 1971
Rives paper on aluminum, platinum-palladium, edition of 16
image: 18 5/8 x 18 1/8 in. / 47.3 x 46 cm
mount: 25 x 20 1/8 in. / 63.5 x 51.1 cm

verso: signed, stamped, inscribed 

Inquire
Black and white photograph of three women in drapery fabric.

Three Guedras (One in White), Morocco, 1971 

photograph, edition of 16
image: 15 1/4 x 15 in. / 38.7 x 38.1 cm
sheet: 15 7/8 x 19 7/8 in. / 40.3 x 50.5 cm

verson: signed, stamped, inscribed

Inquire
Black and white double portrait of two New Guinea warriors holding hands.

Two New Guinea warriors holding hands, 1970  
Rives paper on aluminum, platinum-palladium, edition of 31 
image: 16 x 15 3/4 in. / 40.6 x 40 cm
mount: 24 3/4 x 19 7/8 in. / 62.9 x 50.5 cm

verso: signed, stamped, inscribed

Inquire
Black and white group photograph of motorcyclists.

Hell's Angels, San Francisco, 1967

 Rives paper on aluminum, platinum-palladium, edition of 35
image: 18 5/8 x 22 1/2 in. / 47.3 x 57.2 cm
mount: 22 x 26 in. / 55.9 x 66 cm

verso: signed, stamped, inscribed 

Inquire
Woody Allen as Chaplin, 1972

Rives paper on aluminum, platinum-palladium, ed. of 28

image: 19 5/8 x 19 1/2 in. / 49.8 x 49.5 mount: 26 x 22 1/2 in.

 

signed, stamped, inscribed

Woody Allen as Chaplin, 1972

Rives paper on aluminum, platinum-palladium, ed. of 28

image: 19 5/8 x 19 1/2 in. / 49.8 x 49.5 mount: 26 x 22 1/2 in.

 

signed, stamped, inscribed

Inquire
Black and white group photograph of a rock band group from San Francisco.

Rock Groups, San Francisco, 1967

Rives paper on aluminum, platinum-palladium, edition of 50 
image: 19 x 19 3/4 in. / 48.3 x 50.2 cm
mount: 22 x 25 in. / 55.9 x 63.5 cm

verso: signed, stamped, inscribed

Inquire
Vionnet Back Tie, New York, 1974

platinum-palladium print mounted on aluminum, ed. of 15

image: 15 1/2 x 15 1/2 in. (39.4 x 39.4 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

framed: 28 7/8 x 28 3/8 in. (73.3 x 72.1 cm)

Vionnet Back Tie, New York, 1974

platinum-palladium print mounted on aluminum, ed. of 15

image: 15 1/2 x 15 1/2 in. (39.4 x 39.4 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

framed: 28 7/8 x 28 3/8 in. (73.3 x 72.1 cm)

Black and white photographic double portrait of father and son with eggs.

Father and Son with Eggs, Cuzco, 1978

BF paper on aluminum, platinum-palladium, edition of 14
image: 11 3/4 x 11 1/4 in. / 29.8 x 28.6 cm
mount: 22 1/4 x 14 1/4 in. / 56.5 x 36.2 cm

verso: r​signed, stamped, inscribed 

Vionnet Hipline Dress, New York, 1974, 1978

platinum-palladium print mounted on aluminum, ed. of 8

image: 16 x 15 3/4 in. (40.6 x 40 cm)

mount: 25 x 20 in. (63.5 x 50.8 cm)

framed: 26 3/8 x 25 3/4 in. (67 x 65.4 cm)

 

signed, stamped, inscribed

Vionnet Hipline Dress, New York, 1974, 1978

platinum-palladium print mounted on aluminum, ed. of 8

image: 16 x 15 3/4 in. (40.6 x 40 cm)

mount: 25 x 20 in. (63.5 x 50.8 cm)

framed: 26 3/8 x 25 3/4 in. (67 x 65.4 cm)

 

signed, stamped, inscribed

Black and white photographic portrait of the back of a woman's ornate dress.

Callot Swallowtail dress, 1977
Rives paper on aluminum, platinum-palladium, edition of 19
image: 20 3/8 x 18 in. / 51.8 x 45.7 cm
mount: 26 x 22 in. / 66 x 55.9 cm

verso: signed, stamped, inscribed 

Chanel Sequined Suit, 1974

platinum-palladium print mounted on aluminum, ed. of 29

image: 20 1/2 x 18 3/4 in. (52.1 x 47.6 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

Chanel Sequined Suit, 1974

platinum-palladium print mounted on aluminum, ed. of 29

image: 20 1/2 x 18 3/4 in. (52.1 x 47.6 cm)

mount: 26 x 22 in. (66 x 55.9 cm)

Black and white photographic portrait of a child holding a lamb.

Child with lamb (Morocco), 1971
Rives paper on aluminum, platinum-palladium, edition of 16
image: 18 5/8 x 18 1/8 in. / 47.3 x 46 cm
mount: 25 x 20 1/8 in. / 63.5 x 51.1 cm

verso: signed, stamped, inscribed 

Black and white photograph of three women in drapery fabric.

Three Guedras (One in White), Morocco, 1971 

photograph, edition of 16
image: 15 1/4 x 15 in. / 38.7 x 38.1 cm
sheet: 15 7/8 x 19 7/8 in. / 40.3 x 50.5 cm

verson: signed, stamped, inscribed

Black and white double portrait of two New Guinea warriors holding hands.

Two New Guinea warriors holding hands, 1970  
Rives paper on aluminum, platinum-palladium, edition of 31 
image: 16 x 15 3/4 in. / 40.6 x 40 cm
mount: 24 3/4 x 19 7/8 in. / 62.9 x 50.5 cm

verso: signed, stamped, inscribed

Black and white group photograph of motorcyclists.

Hell's Angels, San Francisco, 1967

 Rives paper on aluminum, platinum-palladium, edition of 35
image: 18 5/8 x 22 1/2 in. / 47.3 x 57.2 cm
mount: 22 x 26 in. / 55.9 x 66 cm

verso: signed, stamped, inscribed 

Woody Allen as Chaplin, 1972

Rives paper on aluminum, platinum-palladium, ed. of 28

image: 19 5/8 x 19 1/2 in. / 49.8 x 49.5 mount: 26 x 22 1/2 in.

 

signed, stamped, inscribed

Woody Allen as Chaplin, 1972

Rives paper on aluminum, platinum-palladium, ed. of 28

image: 19 5/8 x 19 1/2 in. / 49.8 x 49.5 mount: 26 x 22 1/2 in.

 

signed, stamped, inscribed

Black and white group photograph of a rock band group from San Francisco.

Rock Groups, San Francisco, 1967

Rives paper on aluminum, platinum-palladium, edition of 50 
image: 19 x 19 3/4 in. / 48.3 x 50.2 cm
mount: 22 x 25 in. / 55.9 x 63.5 cm

verso: signed, stamped, inscribed

About

Irving Penn was one of the twentieth century's great photographers, known for his arresting images and masterful printmaking. His portraits and fashion photography have been internationally recognized and celebrated by critics and public alike. A key contributor to American Vogue who shot more than 150 of the magazine’s covers, Irving Penn’s pared-down aesthetic redefined the genre of fashion photography and elevated it into the realm of art.

Penn mostly photographed in the studio, staging his motifs in front of white backdrops and with minimal lighting. Formal simplicity and conciseness are a characteristic feature throughout his prolific oeuvre. Entitled Worlds in a Small Room, a striking group of photographs depicting indigenous people in cultural adornment were taken in Penn‘s portable studio during his travels to New Guinea and Cameroon. Beyond their strong visual impact these images testify to Penn’s ability to capture the unique individual presence of his sitters, bridging gaps of culture and language.

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